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Born in Toronto Ontario, Jennifer Pepper is an installation artist who now lives in CNY. She teaches full time in the Division of Art + Design at Cazenovia College since 2003 where she has been appointed the gallery director since 2005. As an artist she has exhibited nationally and internationally in thirteen solo exhibitions to date and has participated in over fifty group exhibitions since 1990. Her work has been seen in international and national venues including Ireland, Japan, Canada, New York City and other gallery and museums throughout the USA. Pepper was invited to participate in Sculpture: Carved, Cast + Constructed a group exhibition of nine artists at The Schweinfurth Memorial Art Center in Auburn, NY and Saltonstall Fellows at The Herbert F. Johnson Museum, Cornell University, Ithaca, NY in 2006. 2004 and 2003 she was an invited artist to participate in the international site specific installations created for the city of Sumter, SC; “Buoyancy of Place” (2004) and “The Finger Poets,” (2003). She has been the recipient of granted awards including The National Endowment for the Humanities, New York State Council on the Arts, New York State Foundation for the Arts, Astraea National Visual Artist fellow (NYC) and The Constance Saltonstall Foundation for the Arts. Pepper has been an invited artist in residence to Art Colony Galichnik (2006) in the Republic of Macedonia, Foundation Valparaiso, Spain (2003), The Constance Saltonstall Foundation for the Arts (2004 + 2003), The Virginia Center for the Creative Arts (2002), Anam Cara Artists Colony, Co. Cork, Ireland (2001), The Corporation of Yaddo (2000), Sculpture Space, Inc., (1997), Millay Colony for the Arts (1995), in New York State. Her work is included in the Flatfiles at Pierogi Gallery in Brooklyn, NY.

Pepper will be a guest panelist at the 2007 Women’s Studies Annual conference sponsored by Middle Tennessee State University authoring a paper titled: The Latent Image: Performing Identity. She has been a guest panelist at the 2005 14th Annual Women’s Studies Conference meetings presenting the paper: Digital Flickerings + Femme Technology, in 2003 she authored and presented a paper on Postmodern Gender Aesthetics at The Western Social Science annual conference in Las Vegas, NV. And in 2001 to American Society for Aesthetics annual meetings in Minneapolis, MN authoring the paper How Feminist Aesthetics has Affected the Arts.

Pepper received her BFA from The Maryland Institute College of Art in 1987 and her MFA degree from The University of Connecticut in 1989.

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Moore, Ivy, Sculpture – Nov. 2005, Washington, D.C. Vol. 24