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My work explores the intersection between language and the body and their interaction with the physical and emotional environment. Found words from everyday life, philosophy and art are incorporated into the work as concrete building blocks that describe malleable processes. The works depict explosions, wind patterns, steam, and the making of language in stop-action temporal activity. Works twist and curl comically in animated space, suggesting that language and meaning is under constant reconstruction creating fluidity that seems to extend endlessly. Sculptural works of rubberized crocheted nylon, fibers, leather, metals and slip key rings suggest that what is presumed to be fixed is always on the move and may unravel and reconstitute at any point. Clipped texts of unit-to-system matrixes present the complexity and slipperiness of language. Nothing is ever permanent in these parts. Ink drawings articulate visible text and fluid forms that are harnessed by the absorbency of paper. Fully saturated, my drawings spill forth, energetic and active, visually vibrating and arresting. In these works I attempt to bring forth the temporal attributes systems offer as they articulate and name our world. Forms and ideas undulate between structure and elusiveness -- implying that the subject is under constant transformative r/evolution, continually reshaping our world physically and imaginatively. |
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